Inspired by the astral “island” some aboriginal societies believe to be our spiritual home after death, ‘Baralku’ synthesizes downtempo hip-hop beats, world music elements, and field recordings, as well as jazz, folk, and classical influences into a transcendent hybrid of lush, nuanced, and ethereal compositions. “No part of his fusion is forced,” the New York Times has proclaimed. “While many attempts to merge classical melodicism with dance music sound awkward and gimmicky…Emancipator has found a balance.” In each live performance, Emancipator harks back to his college jam band days, honoring the need for structure while allowing room for improvisation.
“Music takes me to places, and each song is a spirit island on which its soul lives infinitely,”
says Emancipator of the album’s formerly secretive title and his inspiration for this album. With his five-piece band, Appling artfully balances seamless instrumentation with each crowd's unique, vibrant energy. “We carve out parts of the show for improvisation. “We'll play something live and decide, 'That sounded great,' so we start playing it like that at the next show."
Falling in love with hip-hop, jazz, and world music, while learning violin, Emancipator has been honing his sound since his highly acclaimed 2006 debut, Soon It Will Be Cold Enough.
In the decade since, his unique amalgamation of styles has generated steadily escalating buzz. On the strength of four albums–Soon It Will Be Cold Enough (2006), Safe In The Steep Cliffs (2010), Dusk to Dawn (2013), and Seven Seas (2015)–plus several remixes and EPs.
Tickets on sale now.
Headlining Red Rocks May 26th