Inspired by the astral “island” some aboriginal societies believe to be our spiritual home after death, ‘Baralku’ synthesizes downtempo hip-hop beats, world music elements, and field recordings, as well as jazz, folk, and classical influences into a transcendent hybrid of lush, nuanced, and ethereal compositions. “No part of his fusion is forced,” the New York Times has proclaimed. “While many attempts to merge classical melodicism with dance music sound awkward and gimmicky…Emancipator has found a balance.” In each live performance, Emancipator harks back to his college jam band days, honoring the need for structure while allowing room for improvisation…